SHOW REPORT :
Corporate Entertainment for Britannia International Movers’ Convention,
Marriott Hotel, Cardiff - 11 June 2011


I was delighted to be able to provide the opening entertainment for the first night of the Britannia International Movers’ Conference in Cardiff.  I was booked through Animo Events, who were organising the whole event on behalf of the company.  Britannia was also celebrating 50 years in the shipping and moving industry, so I felt privileged to be involved in this landmark occasion.

In the planning I had worked closely with Keith & Charlotte at Animo, who required entertainment to greet delegates before their opening dinner, then entertainment through the evening.  It was all about creating a big impact without being brash – sophisticated without being stuffy – but still offering the option for some fun if delegates wanted to ‘unwind all the way’ after their long journeys. 

After the event, Charlotte’s feedback said:  “We booked Jon to perform before and after dinner at a conference welcome event we arranged at the Marriott in Cardiff. Right from the start of our communication with him, we were impressed by his professionalism and attention to detail and this was further reinforced during set up and on the night.”

Last minute adjustments were easily accommodated, and we were able to judge background music from the excited buzz coming from delegates waiting in the outside bar area.

Animo had arranged for an additional staging company to set up performance space and backdrop (Missing Link Conference Co) and we were happy to work alongside them to finish the installation with one of our Premium package set-outs – complete with movie-premier style mini search-lights and 5ft flame effects, which really added drama to the hospitality suite.  Additionally I provided the skills of my team member Carl to act as supporting DJ/sound engineer and assure all audio was appropriately balanced for the room while I performed. 

Keith from Animo really wanted to make an impact on the visitors, and to ‘play up’ Welsh aspects of the venue.  For many this was the first time visiting the country, and our Welsh culture was being accented throughout the whole event – including a visit to the Millennium Stadium later in the trip.

As a grand overture therefore we planned the timing intricately for maximum impact, and as delegates entered the room, I launched into a stirring rendition of “Delilah” – welcoming them to their first evening Welsh Capital with a bang and a smile, as most got the irony of a stereotypically short Welshman (er...me, then) singing a stereotypically Welsh song!  This was instantly followed by a huge swing number – Bad Bad Leroy Brown – as a quick taster of what was to come later in the evening.
 And now the science part.  HR and Training Managers may find it useful to know that a few corporate entertainers experts call this technique the “guerrilla sets” or “slots” approach – it serves to instantly grab the attention of attendees and then quickly disappear, injecting energy into the proceedings and leaving the audience enthused and anticipating more. 
More importantly, but also acts as an ice-breaker...no marshmallow- ‘n’-spaghetti structural-engineering involved.  (HR gurus will understand this ole doozy!)
Guerrilla techniques can work with DJ skills, but a moving, dynamic focal-point such as a live artist or entertainer/events presenter arguably facilitates this better.



Guerilla-slots like this also give tables of delgates something to talk about with colleagues they may not have met before, plus adds variety to proceedings where timings or budgets do not stretch to multi-act events.  It is quite similar to the warm-up approaches used by several of my American peers, but can be more suited for the sometimes reticent British or continental businesses, who can be more passive earlier in proceedings.

Many corporate entertainers don’t do this, and stick rigidly to typical ‘sets’ or pitch at too high an energy level too early.  Personally, I believe many entertainers need to cater to their customer’s needs and thus provide great value through shaping the whole event.

Coming back to the night, I cleared the stage ready for a guest speaker, who used the dedicated speech microphone we had set up.  On this occasion I was not hired to reappear as the evening’s official host/ MC, as traditionally Brittannia use an in-house representative with whom everyone is familiar. 

It was fascinating for me, watching from the wings, to observe a different approach to the opening welcomes and thank-yous, using alternative vocal projection, mic-technique and focus-pulling methods to mine.  Plus (being a little selfish!) and excellent ‘breather’ opportunity to ‘touch-base’ on upcoming background-music programming with Carl my sound-guy.



Some delegates had already made music requests to Carl, so we left a mix of swing and smooth soul music playing as the delegates enjoyed the opening courses of their dinner.  Following the main course, however, I was straight back on stage providing a half-hour set of some fabulous Swing & Big Band staples. 

Much to the organisers’ surprise, the delegates were not as tired nor as shy & retiring as imagined, and I soon had people singing along at the tables to “That’s Life” and even dancing to my punchy rendition of Michael Buble’s “Sway”.
Animo Events later wrote that my “performance was superb and he judged the mood of the room perfectly.”  

As requested, the live performance took a short break to allow guests to request disco and karaoke songs of their own.  The client commented about this, saying “It wasn’t an easy crowd, but Jon managed to get people on the dance-floor, and he even got a delegate up on stage”!  Karaoke won’t work for every corporate group – but Animo had proposed this as something different and it was clear on the night it wasn’t as big a “risk” as I’d feared!
Finally, I came back and closed the night with a mix of upbeat classics including ‘Pretty Woman’, ‘Stuck In The Middle With You’ and ‘Mustang Sally’ – and was delighted to get a huge circle of dancing delegates singing along as I took the microphone out to get groups singing “guest slot” backing vocals, setting one table against another.  A little bit of inter-departmental competition can’t be a bad thing!

Charlotte at Animo Events commented that the “lighting rig really added a party feel to the event.”
I was told that the company’s executives were delighted that we had transformed what can be a downbeat first night into a memorable opening in a professional & successful manner. 
I’d like to think this energised the employees and enabled them to be creative and positive the next day.  This is one illustration on how investing in quality entertainment should be considered a wise business decision that can have positive impacts.

From my personal experience attending similar events,  I understand that employees infer from the bored, budget DJ wearing ripped jeans in the corner that no fore-though or effort has been put in from management for them, and they can therefore respond unenthusiastically in working groups and seminars  – immediately reducing the impact & success of corporate events.

For me, it was a real pleasure to be able interact & respond to the attendees on the night – and the flexibility of the organisers in letting their delegates’ mood lead the entertainment, rather than it be a prescribed style, resulted in a memorable and exciting first night! Equally I could have turned my hand to cocktail performance – this time however the whole group were ready to get down to business!

As a result, Animo Events said of my services: “We would certainly use him again, and would wholeheartedly recommend him to others.” I’d certainly be delighted to work with Keith & Charlotte in the future and naturally also offer my best wishes to the staff & management at Brittannia for another 50 successful years in business.
Take care…and have fun!


Jon Paul





Jon Paul is available for high quality corporate events for 50-1000 people, providing first class performance and presentation for awards ceremonies, presentations and corporate events & celebrations throughout the UK; he’s able to act as your MC/host for the evening, live performer or simply to arrange appropriate background music, disco or PA/AV solutions. 

Jon believes that corporate entertainment should not be based on ring-fenced and salami sliced budgets but rather invested as quality blue-sky thinking to assure tick-boxing for the diversity of your workforce & client-base.  While always seeking to push the envelope, Jon never relies on purely plucking low-hanging fruit, but will regularly touch-base and mind-map in a virtual working group with event management coordinators in order to bonsai-clip entertainment logistics & workflows into bespoke gift-tied corporate solutions.  Phew.
 
From years of working in corporate environments, Jon is fully conversant with most management-speak nonsense like that you’ve ploughed though above, and can often translate this to something roughly comprehensible to the actual, real human beings that most businesses actually employ.  Keeping it real, but keeping it professional – surely what most people will actually want at the end of a hard day’s networking...right? 

Jon is available to engage, motivate and entertain your staff and clients throughout the UK.  Contact Jon for more details or to chat through your corporate event planning.

SHOW REPORT – Dennis & Debbie’s Wedding – Woodlands Castle, Ruiston, Taunton – 22 July 2011

     Debbie and Dennis booked my after seeing me perform jazz, swing and soul during a stand-in set on behalf of the resident singer at Cardiff Bay’s St David’s Hotel.  This lovely couple were looking for an all-day solution for the music and hosting at their intimate wedding at the exclusive Woodlands Castle venue near their home in Taunton – and felt my services, experience and repertoire fitted their ideas perfectly.
Woodlands Castle from the grounds
The couple and I discussed best options at length to provide music throughout the whole day at this multi-room function, as well as a providing a hosting service (an informal Toastmaster/MC) to liaise with the Registrar & guideand inform guides throughout the pre-ceremony &  post-ceremony arrangements.  Music was a hugely important part of the day for this couple, and my compact and adaptable set-up enabled a range of styles to suit different parts of the day.
As guests arrived for the post-lunch ceremony, I performed a selection in the of live pop ballads and love songs, creating a vibrant yet romantic atmosphere in the vestibule and anti-room as the groom, friends and family waiting with growing anticipation for Debbie to
make her appearance. 
Ending the set, I switched to background music & my hosting role, and guided the party and any later-arriving guests into the room where the ceremony was being held.  This was an important role to ease and assure the ‘decorum’, legalities & logistics for the event – for example requesting guests left alcohol outside the ceremony space, guided them to the correct side of the room (in the absence of ushers) and requesting they avoid using confetti inside the venue.
Debbie had requested specific background music while guests waited and also a special piece for her processional entrance to meet Dennis (“You’re So Cool” by Hans Zimmerman – famously from the ‘True Romance’ movie sound-track (fittingly enough!)). 

By liaising with both the bridal party and the Registrar ahead of time we were able to plan specific points in the music for the guests to stand, for the bridesmaids to enter and for the Bride’s grand entrance to coincide with crescendos in the music, which then faded away as Debbie reached her groom & the Registrar began to speak.
After the vows, Debbie has also specially requested I learn and perform 2 special songs as a postlude - namely Elvis’ “I Can’t Help Falling In Love With You” while the register was signed, then (as a recessional song to accompany the newlyweds and guests' departure from  the room) the happy pop classic “My Destiny” by Lionel Ritchie. It was an inspired choice of song that added a smile and a skip to all.
Debbie later commented that my service was “Absolutely brilliant!” and thanked me for being “Really helpful with helping suggest songs and also learning ones special to us for the day.”

After a few photographs, the happy newlyweds enjoyed a horsedrawn carriage ride, and while they were  away I started my next set of a selection of jazz standards, to keep guests entertained while they enjoyed champagne and canapĂ©s in the sunshine. 

This moved on to hosting the new Mr & Mrs Scott’s arrival back at the venue for their wedding breakfast, where my hosting skills were put into play once more by inviting guests in from the bar and terrace and announcing the newlywed’s into the room.  After some brief speeches and their first course, I began my next live set, with a selection of Swing & Big Band standard as guests dined.

I was delighted and hugely complimented when Debbie & Dennis even put down their cutlery to dance by the side of their table as I sang Nat King Cole's “Let There Be Love”, while other guest looked on.
Afterwards, the Scotts’ feedback mentioned I “was really "tuned" in to both the music and our specific needs for the day.”

Pre-recorded background music continued until the end of the meal and while guests enjoyed coffee and a breath of fresh air, I relocated my sound equipment into the secondary function room, which was set up with a dance-floor and resident DJ as a specific (for want of a better term) “dancing-room”. 
It was a pleasure to work alongside the resident entertainer, and we escalated the atmosphere as more evening guests arrived, ready to party – providing him with the information he needed to welcome the couple personally over the microphone, and quickly running through the evening timings Debbie & I had planned.

We opened the evening entertainment by inviting the guests into the dancing room (although some watched through the windows to the terrace!) while Dennis & Debbie enjoyed their “official” first dance together – another special request I had learned for them, in form of “I’m Yours” by Jason Mraz. 
The live set continued with classic soul and pop, and after a break for the evening buffet, I finished up with disco, soul and rock before handing back to the resident DJ.

In their later feedback, the couple enthused: “We cannot praise Jon enough, he went out of his way to make sure we had everything we wanted and I would recommend him to anyone as you will not be disappointed".

All in all a bit of a whirlwind day for everyone – but Debbie’s review of the day commented: “I don’t remember much but I will always remember the music and the dancing! Thank you for making our wedding so lovely.”

Sometimes, we entertainers turn up later in the day and miss all the romance and emotion of the ceremony and speeches – for me it was a real pleasure to play an over-arching role in facilitating and entertaining this lovely couple and their guests.  I found it a fitting reminder that weddings are about more than just the party – they’re also about each couple’s own "True Romance".

Thank you for allowing me to experience yours, Dennis & Debbie – please enjoy many many happy years together.

Take care…and have fun.

Jon Paul


Jon Paul is available as a live solo singer and/or DJ, performing vintage and contemporary music to create  day-time, evening or all-day entertainment solutions for ceremonies, receptions and parties throughout the South West of England, as well as Wales, The Midlands, Home Counties and London.  His service can also include event hosting as an informal MC as well as a variety of mobile DJ & disco solutions to suit most budgets.

Find out more on our main website at http://www.phataahs.com/

SHOW REPORT – Craig & Lissa’s Wedding – Hotel Plas Hyfred, Narbeth 21 July 2011

(NB – it’s Lissa, not Lisa!)

Pas Hyfryd's lawn & terrace
Hitched up my wagon for a minor trek to beautiful Pembrokeshire, where Lissa & Craig were celebrating their wedding in this lovely private hotel in the delightful village of Narbeth. I was a little nervous about whether I could ignite the party, as there were only 40 or so guests and it was also a “school night” – with possibly some guest reserving themselves for work the next day.  It can happen!

Lissa had wanted a self-contained and cost effective solution to add a variety of music to the afternoon and evening, and told me that my service seemed to offer that.  (Not to brag, but she was right.) 
Compact stage space & lighting

I was therefore booked to provide background music during their wedding breakfast which enabled the atmosphere to flow seamlessly into the evening party, for which I was also The Man With The Mic.  ;-).  A discreet and compact set out was required – which I was able to provide and STILL have space for some performance lighting for my wee stage area!

I played a selection of subtle popular music for atmosphere during dinner, then after the speeches, I opened the night with the first of three sets.  This included some ballads and classic mid-tempo favourites alongside a smattering of big band Swing standards – just as the couple had wanted.  Pretty soon I could see some of the … more mature … guests singing along – and was delighted when some of the 'youngsters' got up and danced to numbers they recognised, as covered by Robbie Williams and Michael Buble.

Later, the bride wrote to say: “We have had so many compliments from our guests about the entertainment and everyone has said how fantastic your voice was.”

"Cheese!"...and cake? Cheese-cake?
This set warmed the crowd up ready for the newlywed’s First Dance.  The couple had asked I play Aerosmith’s ‘Don’t Wanna Miss A Thing’ then immediately kick the party into full gear.  Lissa had requested I do this by playing Shania Twain’s ‘Man! I Feel Like a Woman’ – which was a family party favourite.  The dance-floor filled immediately (thanks Lis'!), so I followed Shania with one party floor-filler after another (avoiding cheesy party-dance songs tho', as Craig didn't want everyone sat on the floor in a line to "Oops Upside Your Head" - <shudder>).  Guests kept dancing, up to and into the time for more live music.

Two more live sets followed, also intersected with disco.  Lissa had asked I use current & recent chart music sparingly, and I was happy to play lots of 80s and 90s in this part of the night – my era too!

After this, my live sets also concentrated on lots of songs from this around era – including a performance of ‘All Night Long’ by Lionel Ritchie (one of Lissa’s favourite artists!) plus 70s funky-finger madness with ‘Oh! What A Night’ especially dedicated to her mum, Nerys. 

Afterwards, Lissa emailed to say: “Your song choices were perfect and had the guests up and dancing all night! For a wedding of only 40 people to have them all up and dancing throughout the evening is quite a feat and you did it so thank you so much!”

Well really I should thank YOU, Lissa: a Thursday night NEVER been this enjoyable for me!  J
Having personally planned the music with Lissa & Craig, I knew she and the guests particularly like tunes of the air-guitar-hero persuasion – so after belting out ‘Johnny B. Goode’ and ‘Rockin’ All Over The World’ we moved on to mix up the original artists including Bon Jovi's “Living On A Prayer” (another couples' request!), The Jam’s ‘A Town Called Malice’, The Clash’s ‘Rock The Casbah’, and even a little bit of “Boy’s Don’t Cry” by The Cure - which got a great response! 

"Oh, get a  room*!!"  *from just £70
I wrapped the night with signature "double-tap", that is: (i) a ‘smoochy’ number (this time, the wonderful “Too Much Heaven” by the Bee Gees) followed by (ii) a huge climatic number, with all the family hugging and singing along - ending the night on a high.  (But you’ll have to guess what that track was - I’m not giving you ALL my trade secrets!)

In summary, the happy bride commented: 
“Thank you so much for performing at our wedding…. Thank you for your professionalism on the night. We had a fabulous day and your performance really helped to make it perfect. 
We will definitely recommend you to friends and family for any future events. You were fantastic!”

Congratulations again to the new Mr & Mrs Clayton – keep on rockin’!  J

Some more pictures of the night:








Take care…and have fun

Jon Paul



Jon Paul is available as a wedding singer, host and DJ throughout in  Pembrokeshire, Camarthen, Swansea & Neath, Glamorgan and throughout Wales, The West and the whole UK.  Providing daytime, evening and all-day entertainment solutions, Jon sings a cariety of jazz & swing, ballads and soul, pop and rock party music that thrills and delights audiences whenever he performs.~

Visit our main website for more information about how Phat Aahs' Entertainments can tailor entertainment for your event and budget.

~Except his kids, at bedtime.

NEW SONGS – New Ballads & Party Numbers Added to Repertoire

An unusual move this time – all three of the new additions resulted from request for a very special wedding I was booked to provide all-day live entertainment and music for in a wonderful wedding venue in Taunton, Somerset.  More about the day can be read in a future blog entry.

The songs the couple asked me to learn are now available for other weddings and events, and are:

I Can’t Help Falling In Love With You [Elvis Presley]

Elvis (before all the burgers)
There were several backing track arrangements of this song from The King’s 1961 Blue Hawaii album.  I ended up getting three of them, all suitable to different styles of events.  One has a very bluesy guitar part, the other has a very upfront bass part and prominent backing vocals.  The third, which I used for singing at the signing (see what I did there?) of the register at the Taunton wedding – has a lighter production with softer harmonies.  This enabled me to sing the song more softly, which suited the occasion.

It’s just a short number, a quite sentimental as many of this vintage style of ballads are.  It very much reminds me of the vibe of the original arrangements from the era, such as “Unchained Melody” – which I have been holding off performing ever since Robson & Jerome & Gareth Gates’ versions threatened it becoming more hackneyed than a JK Rowling novel.  (Sorry, Harry Potter fans!)

The same is certainly not true of this Elvis number however – the song works well if performed with a gossamer touch.  It demands fragility rather than soul, and I enjoy the versatility it adds to my styles. 

I’m Yours [Jason Mraz]

Despite a laid-back façade, this is a surprisingly difficult number to perform and master.  The lyrics have an exceedingly swift progression, with the syllables almost tumbling over each other.  Getting my breathing right is the challenge each time I sing this – and remembering to be very sparing with vibrato and not to sustain notes until necessary. 

picture from Crimewatch?
The song has a real tropical, summery vibe about it, perfect for early evening sets.  I’ve performed it a few times before and after the Somerset wedding: and it usually has the audience singing and tapping the fingers.

My favourite part of the song as the scat instrumental and postlude, where I can vamp/improvise around the melody – which I do-do-do-do do with gusto!  In the right situation it’s also possible to set up a call-and-answer with the right audience. 

My music software enables me to loop the end section seamlessly – so if this is the kind of interaction a client wants it’s something else I can provide.  (Again setting me apart from “just” a karaoke-style artist.

My Destiny [Lionel Richie]

This was learned to add energy into the ceremony of my West Country wedding's newlywed-egress.  (eg the couple and their guests heading back up the aisle after the register was signed.)
For that, it was an inspired choice by the bride (good thinking Debbie!), which added a joyous little skip to everyone’s step – which was nice, as they went outside to throw the rice.

(EDIT - Excuse please my rhyme crime- I didn’t plan it at the time !)

I have since found the song also works really well as a party song, too: it's on the faster side of mid-tempo, the rhythm is just right for early doors, while guests are still “winding up” to going really crazy on the dance-floor later on!

I was surprised to learn the song was only released in 1992 (only?! Am showing my age again!) BECAUSE (watch as I try to redeem myself) it has a very smooth sound, reminding me of some of my favourite 80s soul artists like Luther Vandross & Alexander O’Neal (whom I once met in a nightclub – NAMEDROP!)

…Although I can see in retrospect that the shuffle in the percussion track is a little reminiscent of other MOBO styles from the early 90s – such as Boys II Men and Colour Me Badd.
Even so, I can’t really see me singing “I’ll Make Love To You” or “I Wanna Sex You Up” and a wedding any time soon.  8-/
I have, however, added several Lionel Richie songs into my repertoire now: the positive reaction his music always gets from a range of age-groups is fantastic – and what the people wants the people gets... 


 
Next time I might even get ‘em ‘Dancing On The Ceiling’.  ;-)


Take care….and have fun

Jon Paul

Vintage – The New Old

As a huge fan of ‘golden era’ music, I am delighted to read that some of the trends for 2011 weddings are vintage theme & styles, Cocktail Hours & informal lounge layouts along with understated sophistication.


Several Armstrong numbers are in my repertoire
 Call me Louis Armstrong while I blow my own trumpet here, for being ahead of the game and ticking all the boxes in the choices my service offers.  Jazz numbers from 20s, 30s and 40s have long been part of my repertoire and music collection, as have the 50s big band swing arrangements of the standards.  Yea me!  Not often I get on an ego trip.

It Don't Mean A Thing: Duke Ellington
As many will know, I am absolutely delighted to perform jazz/lounge & swing shows in their own right.  So the prospect of more customers asking about it is brilliant.  That said, I’ve never been comfortable putting myself in a specific pigeon hole (too tight for my Phat Aahs - see what I did there?), and specialising in only one style or even artist.  I'm not a tribute artist, and do not intend to be.

Let me give you one example of how I’ve “done vintage” for a wedding.  Back in 2010 we provided entertainment throughout the afternoon and evening at a ‘40s Village Fete’ styled wedding. 
Everything from the tableware, linen, bunting and centrepieces were vintage or period in style, as well as (to some extent) the refreshments.  (Sadly, no spam or powdered egg.) 
To compliment, I performed 30s & 40s standards while guests arrived and mingled, as well as providing pre-recorded music of a sympathetic style, drawn from my jazz –oriented collection of many artists and varied recording dates.

Later, the atmosphere progressed (as the couple had planned) into a more 50s cocktail-party vibe as the sun started to set – and once the night-time party was in full swing (excuse the pun) we moved on to classic soul, pop and rock for people to dance a little more raucously to.  (!)

The couple wanted a day which would appeal to their eclectic tastes as well as have elements all of their guests would enjoy. I was pleased that my uniquely adaptable service enabled their dream wedding and entertainment within one bespoke package.

"Vintage Wedding Fayre below, chaps!"
As all wedding fashions go, as this trend grows, some couples will use smatterings of ‘vintage’ in their wedding and others go all-out. 

Which  is cool, but if you’re the latter, you’ll probably require faithful nostalgic styling even in your live entertainment, with period costume, styling and presentation, all typical of the 30s and 40s.  [If you want everything about your big day precise to wartime detail, you might be able to find a parachute to make your wedding dress, but good luck getting your bridesmaids to put gravy-browning on their legs instead of stockings.  ;-)]

Chances are, however, that you will want more than one form or style of entertainment within your event.  The option is always open to hire different artists for the different elements, but that adds complication and expense.  And it’s a wedding, after all: not Glastonbury.

Also I feel it’s a shame not to capitalise on what I like to call 'cross-over appeal'.  Vintage for me implies “the new old” – by which I mean contemporary music in a vintage style or vice versa.  New recordings of classic standards can create that nostalgic and sophisticated atmosphere during background music, without it having to have the crackle and pop of the original 1937 version.  (No Snap, through!)
Puppini Sisters: a bit burlesque?

In planning background music with couples, I sometimes suggest numbers by performers like The Puppini Sisters (mmmm, saucy), Nouvelle Vague, Chantz – even Peter Cincotti, Paul Anka and Jamie Cullum.  This adds an interesting quirkiness to what can otherwise become ‘muzak’
Perhaps it’s because I get a perverse delight watching guests’ faces as they try to reconcile the words they know from an 80s pop anthem with the do-wop style they’re hearing!

The principle applies even in the disco part of the evening – many are familiar with songs like Christina Aguilera’s “Candy Man” and the recent dance hit “We No Speak Americano” which illustrate that the “vintage-vibe” can be popular even in a nightclub setting!  (But will we see the return of that certain 80s jiving rabbit?)

The ‘new old’ ethos is one element of the current burlesque movement too… a slightly irreverent union between apparently different traditions, generations and styles to put together something entirely fresh and exciting.  
Hey – that even sounds like a wedding to me!
[Including, occasionally, some ladies removing items of clothing...but that's a story for a whole different article! ;-o) ]


Take care….and have fun.

Jon Paul

Daytime Entertainment: Your Pre-Emptive Strike

In a Family Fortunes style survey our top ‘wedding entertainment’ answers would likely be (1) disco; (2) wedding band; (3) harpist/string quartet.  All good, fairly typical, answers.  However, depending on skill and repertoire, not all are adaptable to all parts of the day.

There are no end of alternative ideas available that can personalise your wedding day and set it apart from all the others.  Additionally, in line with my ethos of ‘the right entertainment at the right time’, there are a number of services that can be used as mechanisms to engage or stimulate wedding or function guests (ooh misses!) from early within the day.  (Without exhausting them in a sensory overload!)

Entertainment @ Ceremonies

This is the more dignified/formal part of the day - you should always consider what is suitable for your venue first. 

If you are having a traditional or religious ceremony, consult with your minister/venue what is acceptable.  Traditional weddings might call for traditional non-amplified entertainment to support them – classical singers, harpist or other ‘ambient’ musicians. 

There are many excellent ones out there with melodies chosen for specific moments in the ceremony – while guests wait, bride's entry (processional), register signing and exit (egressional.) 
"She better turn up...there's no WAY I'm listening
to Vivaldi's "Spring" another time!"
Civil ceremonies can incorporate such traditional elements too, however they are more open to personalisation/non-traditional approaches. Your limitation is only on use of music/readings with religious themes – your registrar will advise you on this.
 
If you are having a civil service at the same venue as your wedding breakfast, how will music and events flow from one loction to another? 
 
What preparations are in place in the eventuality a bride just so happens to run "fashionably" late? 
Should the presentation of the music support this special moment or take attention away from you?
 

Walking down the aisle is a keystone and highly
emotive part of the wedding day.
Consider whether an expert in ceremony music/presentation can assure music sounds rich and full and is set at appropriate volume and then faded into silence as the words begin.  (Rather than sound thin and just stop suddenly, cutting the music dead the moment you reach your bethrothed?

More brides are now having live music continue through the signing of the register, and this is provides a focal point while the legalities are completed.  It also utterly personalises this special moment forever.


Entertainment @ “The Interims”

During your day there are several periods of  “downtime” for guests - waiting for you to sign the register, waiting around to be called for photographs, waiting until (and during!) reception drinks, for the wedding breakfast, between courses and so on.  This is particularly true in civil ceremonies when there is likely less distraction in travelling between church and reception venue – ie hence more time to fill.

Interim time between ceremony & wedding breakfast
is the perfect time to catch up with your families while
expertly chosen background music provides ambience.
There are other solutions, but since I am (mainly) a music-man (great, now I’ve got that Black Lace song in my head) I’ll comment on music-related solutions. 
 
Ambient/acoustic musicians can create a smooth atmosphere and can to some extent move between locations between performance “sets”, so this is a solution to consider.  However, be aware that many musicians are purely that – they will likely not make announcements or act as Master of Ceremonies (MC), which is something I plan with my clients when providing daytime entertainment and services. 

The Best Man reported the 'background music
had at least cleared Granny's ear wax.
*NB - NOT my background PA system
Unless you have hired the additional service of a formal toastmaster or a stand-alone PA (sound) system, ushers and groomsmen can sometimes struggle to get the attention of groups of people to get them to be where you want them to be.  This is particularly true when photographers are seeking combinations of invitees for group shots, delaying this part of the formalities and causing further late-running in your day.

So I feel compelled to do a shameless plug.  Our daytime service can include a discreet and ‘portable’ secondary sound system, so multi-room entertainment is easily achievable.  I make an effort to liaise with other providers and venues in order to help play a part in the “wider picture” – helping the whole day flow.
Likewise, I consult with couples to provide the right entertainment at the right time from my repertoire.  This is perfect for increasingly popular vintage themes and also caters to the growing trend for CanapĂ© & Cocktail Hours, all where music should be prominent but not intrusive. 

Entertainment @ The Meal

Entertainment during the wedding breakfast can either performed in increments between courses, or as live sets continuing during the food.  This also adds the advantage of (some artists) including further informal MC work and your use of microphones for speeches so all your guests can hear you new father-in-laws’ wit(tering).
 


Gary wasn't enjoying The Greatest Hits of
Clinking Plates feat. MC Scraping Cutlery
Again music needs to be carefully constructed, and not be too intrusive as guests may still want to chat.  On the other hand, some couples want to create a huge sing-a-long with napkins in the air following desert, as is their prerogative. An entertainer versatile enough to play it cool or hot is a boon here.  Ask them how they would handle this.

Essentially, unless you have the budget for different providers and artists for different locations/parts of the day, then a complete self-contained entertainment solution might well be the perfect answer. 

A personal observation you may wish to consider: some artists claim to offer a complete solution, but on examination cannot provide the adaptability to create ideal solutions.  They will play and perform throughout your day, but are sometimes limited to one room in your venue.  Not much help if you want a cocktail hour on the terrace and party singer in the ballroom.

Likewise, venue staff may need time to refresh/turn around spaces between ceremony, day and evening, and your guests will be moved on to another room, bar or waiting area. 

AND SO THEN.....Entertainment @ The Evening Party

This goes without saying, and where the majority of events singers (including myself) often perform the mainstay of their show.  Often, if your entertainment has laid a "groundwork" during the earlier formalities, building up to a fantastic party for the evening is smoother - helping assure you & your guests have a brillaint night that will be fondly talked about for years to come!
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I do so hope these nuggets of information for anyone planning their unforgettable, perfect day. 
(Great – and now I’ve got that Lou Reed song in my head: but at least it got rid of the Black Lace one.)


Take care….and have fun.

Jon Paul
Wedding Singer, Master of Ceremonies & DJ
 
 
 
Jon Paul is based in South Wales but available throughout the UK, including Bristol, Gloucestershire, Wiltshire, Hertford, Hereford and Hampshire ;-) pplsu London, Devon & Cornwall, East Midlands, West Midlands and beyond.  Jon many years of experience entertaining at celebrations & corporate evens, but specialising in the wedding industry .  He brings a wide set of specific skills to assure a fantastic weding day and night. 
Visit and Like Jon's facebook page for pictures and offers or brose his website for more information.